The numinous landscape of South Worcestershire, shown here in the Malvern Hills, has long been the inspiration for music, of which Elgar's is the outstanding example, and poetry, including the less well-known Poly-Olbion - please see my other post for today @ http://woodwose.wordpress.com/

However, the wider landscape context created by the Malverns, the Severn Valley and Bredon Hill, an outlier of the Cotswolds, has perhaps not received the cultural attention it merits. I have, therefore, resumed a longstanding personal project focused on Crookbarrow Hill, at the edge of Worcester, as the starting point for an exploration of this cultural landscape.

Incidentally, the slow progress of this project is largely due to my involvement in various spatial planning sagas - see
www.crookbarrow.com/
http://crookbarrow.wordpress.com/
http://smartlimits2growth.wordpress.com/
In case the slow pace continues I've decided to publish the introduction :

MESSAGES FROM THE MOUND

A Cultural Study of Crookbarrow Hill

Introduction
For some years now I have intended to write a history of Crookbarrow Hill, but the time has never been right. Today, 30 October 2010, I resumed “The Green Man Project” blog with a post (see below) on “The Story of Silbury Hill”, a book recently published by English Heritage which suggests that Europe’s largest man-made mound may have been developed over many centuries as part of an even more extensive landscape project in what is now the Avebury World Heritage site in Wiltshire. My own intuition is that the man-moulded mound known variously as Crookbarrow Hill, Brockhill and the Whittington Tump, next to Junction 7 of the M5 Motorway in Worcestershire is also part of a much larger ancient landscape discourse, I shall call it: a “big conversation” extending back into prehistory circumscribed to the west by the Malvern Hills, to the east by Bredon Hill, and with the Severn River providing the north-south axis.

Having at last set the scene for “A Cultural Study of Crookbarrow Hill”, I shall explain why I have chosen this intellectual form of inquiry rather than a more straightforward historical account, or the cultural history which I also considered. The reasons for this in part reflect my academic education in both English literary and urban and regional planning studies, and the fact that I am neither a historian nor an archaeologist. I also have a strong interest in depth psychology, particularly Jungian, in contemporary green spirituality, in the historical relationship between the Christian religion and Britain’s pagan legacy, and in what are widely known as “earth mysteries”, including ley lines. More mundanely, I am concerned with how modern society, and more specifically government agencies, value and protect the historic environment in different parts of the British Isles, especially in England and Wales. “A Cultural Study”, therefore, seems to lend itself best to the diversity of my interests and, indeed, to the intellectual plurality of perspectives inspired by the visual panorama from Crookbarrow Hill itself.

The study is intended to cover the following issues and themes:

• Description of Crookbarrow Hill at the present time
• The numinous landscapes of South Worcestershire
• Seasonal festivals, religious events and local folklore
• Wider interpretations of the role of hill barrows etc
• Depth psychology and Earth Mysteries movement
• Future management of Crookbarrow and environs*

* These are presently used for horse pasture: see my recent post @ http://horsework.wordpress.com/ In short, there is no management of Crookbarrow Hill and environs by the relevant agencies, in sad contrast to the attention given to ancient sites elsewhere. Perhaps the main reason for this is that Crookbarrow Hill falls within an area identified for urban development at the present time.